Everybody loves a happy ending right? Well, not always. In this postmodern age sometimes writers like to throw us a curveball and give an unhappy ending. It’s a risky move – we have spent the past couple hours getting to know these characters, seeing them struggle, and if they fail in the end, we will probably be leaving the theatre feeling miserable. In Woody Allen’s The Purple Rose of Cairo , Cecilia leaves home believing that she will be out of the Great Depression and living in Hollywood with the star that she loves. Unbeknownst to her, she’s been duped, and will be stuck in New York with her abusive husband. We spend three and a half hours rooting against the Romans in Spartacus , only to watch our hero die on a cross. Many other films – Midnight Cowboy, Chinatown, Brazil, The Empire Strikes Back, to name a few, employ unhappy endings. In most cases, I am a fan of the unhappy ending, but sometimes it just feels tacked on. Any writer can tell you that it’s extremely difficult to ...
Malcolm Coates