About a month ago I was watching Arsenic and Old Lace with a few friends when one of them had asked me if I had seen the Alfred Hitchcock film Rope. At the time I hadn’t seen much Hitchcock at all, but the film sounded intriguing – like Arsenic and Old Lace, it was a story about a dead man hidden in a box in the living room. A few days ago I found out that Jimmy Stewart starred in the movie and I was sold. There’s something about Jimmy Stewart that’s very approachable and familiar, kind of like an uncle or a neighbor, and I, as mentioned in a previous entry, am a huge fan of his work with Frank Capra. Hitchcock is, of course, legendary, so the combination of these two in the 1940’s film Rope makes it extremely appealing. What surprised me most was how experimental this film was. As I lay in bed watching the film this morning I noticed that although the camera was moving, the box containing the dead man was almost always in view, and the camera was focusing on pretty much one shot f...
Malcolm Coates