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Updates will be few and far between for a while. It isn’t that I have stopped watching films on a daily basis, it is that now they are of a decidedly homogeneous variety. I have been approved to write an honors thesis, something I am very excited about. It is about America’s cultural memory of Vietnam, which includes historical events, campaigns, memorials, books, comic books, music, and, of course, film. Therefore, since I was approved for this thesis about a week ago, I have only been watching Vietnam films – a genre I was already familiar with, one I will soon be very knowledgeable about. So, in an effort to keep this blog alive, I have decided to use my recent fixation as an entry. The first widely viewed Vietnam film was John Wayne’s 1968 The Green Berets . Filmed during the war, it has the feeling of a World War II movie more than a Vietnam movie – the Vietnamese are portrayed very similar to the Japanese in The Bridge Over the River Kwai , and John Wayne’s patriarchal figure ...

Although summer does not technically end for another three weeks, I am back at college and working like a dog, so, as far as I am concerned, it is over. The summertime is typically when the biggest films of the year are released – not the award winning films, but definitely the films that justify Hollywood’s bloated budgets. This was a summer of sequels – another Harry Potter, Planet of the Apes, Cars, Pirates of the Caribbean, Scream, Hangover, Fast and the Furious… not really my thing but definitely movies that you probably heard much about. My favorite two films of the summer were not sequels, they were the rarity in the summer film scene – original, highbrow auteur pieces that still managed to bring in profits. As in, the kind only Woody Allen or Terrence Malick can create. It was a tough decade for Woody Allen. After a frighteningly prolific career, it seems as if he ran out of steam in the 00’s. I for one enjoyed most of the movies he directed in the decade, but admit they do n...

War films are a dime a dozen, so much so that even individual wars are now their own genre of film. There is a distinction between World War II films, Vietnam Films, the wars of old, and even fictional conflict. As a history major I am required to write a long essay for my degree and give a presentation, and mine will involve Vietnam films – I might dedicate a whole entry to that later. I am a big fan of the war genre, and could probably turn this entry into a top ten list if I really wanted to. My favorites are the ones with the best photography of the wars – All Quiet on the Western Front, Paths of Glory, and The Thin Red Line. These films instill the fear and despair in the audience that is felt by the soldiers during battle. As a student of history, I am also a big fan of war films that recount stories, such as Joyeaux Noel, Downfall, and Gallipoli. Although dramatized, they offer a bit of insight into the events in a way that differs from a primary source. Thirdly, I love war f...

Note: I originally wrote this article in 2011, and in July 2015 accidentally deleted it. When I reinstated it I decided to revise a lot of it. I find that I miss Roger Ebert whenever a great film is released, as I would love to be able to read his thoughts on films like Birdman or Boyhood. I highly recommend the documentary about his life, titled Life Itself.   The film critic – perhaps, in many ways, the most useless job on the planet. Nobody lives or dies, goes hungry or starves, or makes any important life change whatsoever based on the opinion of a film critic. I decided not to go to film school because I could not see myself doing anything important with a film degree. Most audiences pay no attention to these journalists, and often critics are the butt of a joke for poorly rated popular filmmakers. Still I am very grateful for those who have taken up the occupation – I personally read film criticism and, obviously, write it for my own enjoyment. I am a fan of AO Scott, Pe...

There is a lot of symbolism in film that people tend to overlook, the most obvious example being rain. Rain scenes are a pain in the ass to film; it doesn’t show up unless properly colored or backlit, it can be costly depending on the severity, it requires extra resources, can be noisy, and, obviously, makes the actors wet. Yet, several famous and beloved films go through the hassle of creating rain scenes. Spiderman, Forrest Gump, The Shawshank Redemption, Seven Samurai, Minority Report, Blade Runner, The Matrix, Raising Arizona, Millers Crossing, Platoon, Inception, and, most famously, Singing in the Rain, all have well known rain scenes in them. Hell, David Fincher even uses rain as a supporting character in most of his films. So, what’s the point, you might ask, if it is such a problem creating rain sequences? Why should directors bother? Well, different films use weather differently, so here are a few examples and how the effect works in each. So far in this blog I have been over...

        Being in England during the NBA playoffs is hard for me. I was okay with not being able to watch the regular season, but as the Lakers and the Celtics are both being driven out I find myself desperate to watch these games. I’ve been a big basketball fan for a couple of years now, so to hold me over in these difficult times I watched two films about the sport. The first was Spike Lee’s He Got Game , starring Denzel Washington and, one of my favourite players, Ray Allen. The film is centers around a father son relationship between the two; Denzel’s character is imprisoned and is allowed out for a week to convince his estranged son to play for Big State University. Although the plot sounds a little iffy, the film is in regular Spike Lee top form. However, it was the second film I watched that I want to talk about now.         In 1988 PBS sponsored a couple of filmmakers to make a half hour television special about two kids from Chicag...

There is one thing that every big name director has in common– they all at one point made their first film. In some cases the directors were experimenting, seeing how they could push cinema to its edges, because they had everything to gain and nothing to lose. David Lynch’s Eraserhead is probably the definitive example. Other times, directors make their debut with something safe and mainstream, such as David Fincher’s Aliens 3 . The directorial debut can go on to define their careers, such as Kevin Smith’s Clerks , or these films can be completely forgotten- Stanley Kubrick’s Fear and Desire remains virtually unseen. What makes these films special is that their directors do not have a defined style to fall back on, they are usually not receiving funds from studios, and the director is filling more jobs than they would if they had the resources. This morning I watched Joel and Ethan Coen’s first feature film, Blood Simple . This was before the Best Picture Oscar for No Country for ...

Confession time: Robin Williams has always been one of my favorite actors. As a kid I could watch and rewatch his quick wit and crude manner in Popeye, Hook, Mrs. Doubtfire, Flubber, and, my favorite, Aladdin. As I’ve grown up, his serious films have continued to impressed me, such as Good Morning Vietnam, The Fisher King, Insomnia, Death to Smoochy, One Hour Photo, Good Will Hunting, and his smaller roles in The Adventures of Baron Munchausen or Deconstructing Harry. Williams largely avoids the hit or miss factor that plague so many other actors – if he’s in it, the films probably good, and probably because he is in it. So here is my homage to one of the best actors of all time. Robin Williams’ big acting debut was the character of Mork in Happy Days, and its spin off Mork and Mindy. His show ran for four seasons, and Williams earned a Golden Globe for his performance – his first of four. While Mork and Mindy was on the air, Williams starred as the titular character in Robert Altman’...

About a month ago I was watching Arsenic and Old Lace with a few friends when one of them had asked me if I had seen the Alfred Hitchcock film Rope. At the time I hadn’t seen much Hitchcock at all, but the film sounded intriguing – like Arsenic and Old Lace, it was a story about a dead man hidden in a box in the living room. A few days ago I found out that Jimmy Stewart starred in the movie and I was sold. There’s something about Jimmy Stewart that’s very approachable and familiar, kind of like an uncle or a neighbor, and I, as mentioned in a previous entry, am a huge fan of his work with Frank Capra. Hitchcock is, of course, legendary, so the combination of these two in the 1940’s film Rope makes it extremely appealing. What surprised me most was how experimental this film was. As I lay in bed watching the film this morning I noticed that although the camera was moving, the box containing the dead man was almost always in view, and the camera was focusing on pretty much one shot f...

“The attack yesterday morning was no stain on the honor of France, and certainly no disgrace to the fighting men of this nation. But this court martial is such a stain, and such a disgrace. The case made against these men is a mockery of all human justice. Gentlemen of the court, to find these men guilty would be a crime, to haunt each of you till the day you die. I can't believe that the noblest impulse of man-- his compassion for another-- can be completely dead here. Therefore I humbly beg you...show mercy to these men.” - Colonel Dax, Paths of Glory            Stanley Kubrick was the greatest auteur to ever stand behind a camera. He is certainly considered by many critics and other filmmakers to be the definitive director, mastering each genre with a single film before moving on to the next. Kubrick was notorious for his perfectionist approach to filmmaking, spending years on a single film, and was equally notorious for his supposed curt and...

“When I have the Map, I will be free, and the world will be different, because I have understanding...of digital watches. And soon I shall have understanding of videocassette recorders and car telephones. And when I have understanding of them, I shall have understanding of computers. And when I have understanding of computers, I shall be the Supreme Being! God isn't interested in technology. He knows nothing of the potential of the microchip or the silicon revolution. Look how he spends his time! Forty-three species of parrot! Nipples for men! Slugs!! He created slugs. They can't hear! They can't speak! They can't operate machinery! I mean, are we not in the hands of a lunatic? If I were creating a world, I wouldn't mess about with butterflies and daffodils. I would have started with lasers, eight o'clock, day one!” -The personification of evil in Time Bandits Terrence Vance Gilliam was born in Medicine Lake, Minnesota, on November 22 1940. As a child, Gilli...