
Star Wars fans tend to think of their films in a bubble, separated from the narrative of film history. That’s fine really, they know more about these films and the story than any other. It’s a fun and fleshed out universe, and if your willing to suspend your disbelief to the fullest extent, it can give you unlimited pleasure debating plot points, motives, back stories, or revision (Han Shot First! see above) What I want to do though is different from a regular fanboy blog, and contextualize A New Hope in film history, and underline its importance there.
I, unlike most fans, prefer A New Hope to The Empire Strikes Back. I love meeting the characters, the quotable dialogue, Luke’s realizations, the rescue of Princess Leia, and the explosion of the death star. I have always maintained that if the film had failed and no sequels had been made, the first film is self contained enough to stand on its own. However, in 1977, it did not fail. In fact, the opposite; it became the highest grossing film of all time, with over $770,000,000 in box office receipts; today it remains the second highest film of all time, after the numbers are adjusted for inflation. Even more, the film seemingly came out of nowhere. George Lucas primary work before this was THX 1138 and American Graffiti, two low budget films that show no signs of precursing Star Wars. THX 1138 is a cliché’d dystopian drama that was commercially unsuccessful, and American Graffiti is a coming of age story designed to appeal to the mainstream. Francis Ford Coppola produced both films, and was instrumental in making George Lucas a director. Then there is Star Wars, a film with unprecedented special effects, a film with a score rivalled only by Jaws or Superman, a film that seems futuristic, is set in the past, but is absolutely timeless. A New Hope seemingly hit the world out of nowhere.
And Luke went on to become President.
So in 1977 A New Hope is released and shatters box office records. It was nominated for Best Picture, Best Director, and Best Screenplay, and although it lost all of those to Annie Hall, it still ended up winning the most Oscars that year. But the real legacy of the film is that it, along with Jaws, set the standard for the Hollywood Blockbuster. Films made on big budgets that bring home around half a billion dollars, a standard that the studios is today dependent on, a standard where the audience is wowed more by the aesthetics than anything else, are forever indebted to the success of A New Hope.
And, for a while, it was a pretty good legacy to leave behind, until recently when films have lost their entire intellectual caliber and rely solely on name brands from pre existing franchises. A New Hope was not a remake, sequel, or adaptation; it was something almost unheard of today in Hollywood, an original big budget idea. It draws inspiration only from other famous stories, such as Flash Gordon, the films of Akira Kurasawa, Westerns, 2001 A Space Odyssey, The Wizard of Oz, and a good deal of original input from George Lucas. The studios took a huge risk with Star Wars, a big budget children’s movie with only one big name (Alec Guinness) and a relatively unknown director; before the film came out, many predicted that it would be a failure. Back in the 1970’s studios were at least willing to take these risks; today, it would require multiple big names attached to it and a watered down plot.
And then, everything that made the film special and unique was negated with The Phantom Menace. Lucas took an incredible story and pushed it to its extreme. But hey, that’s what a blockbuster is in this generation, and nothing could have illustrated it better than Star Wars. Still, no matter how bad the prequels were, nothing can tarnish the originals for me.
I think we who like Empire better, like it because it is darker and digs at deeper emotional depths. I completly respect that you like Star Wars more and your reasons are absolutely valid. I do seem to gravitate more towards Return of the Jedi these days, though, due to it being a more mature production - both in technique and character building.
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